Article by Missy Wilkinson
Kevin Thayer’s artwork takes its cues from Margaret Keane’s “big eyes” paintings, street art and the French Quarter’s unique characters, swirling these images with spray paint and watercolors for a hallucinogenic energy that echoes New Orleans’ own. Shortly after releasing his third annual Mardi Gras poster, the Bywater resident discussed his background, his process and his inspiration.
How do you describe your art?
I call it new pop art. It’s a little bit country, a little bit rock ’n’ roll. It’s modern, but it’s not beholden to Wittgenstein or Warhol or whatever. My stuff is street art- and illustration-influenced. People don’t need to know color theory or academic things to appreciate it.
Give us a brief biographical sketch.
I’m from Fox Lake, Wisconsin, originally and moved to upstate New York when I was 10. I was a studio art major at Bard College, moved to Sacramento in 1999 and started doing abstract expressionism, then moved back to upstate New York to be a residential instructor for Bard, and moved to New Orleans to be a storyboard artist in 2005, two months before Hurricane Katrina.
Where might people have seen your art?
I’ve been doing gig posters for d.b.a. since 2004, and from 2000 to 2005 I did a lot of street art: stencils and slaps, which are stickers. I was at galleries on Royal Street, but I left because I’m doing commissions. Right now, I’m part of a three-person show that’s up through February at Artisan Bar & Cafe (2514 St. Claude Ave.).
How does New Orleans inform your work?
In the French Quarter, I think of lights, the energy that can’t be defined. This is kind of what New Orleans means to me. I see these random interesting characters — your Amzie Adams, guys on the street or in brass bands — and I use the tools of color and markings to express their energy.
What’s the story behind your Mardi Gras posters?
Three years ago, I painted “Let Them Eat King Cake,” one of my big-eye doll faces of Marie Antoinette with a king cake on her wig. I put it up and it sold the same day, so last year, I was like, “I should do a poster.” This year, I’m doing a poster with a dog and a cat in it. I’ll walk around and sell it at Barkus.
What inspires you?
A bunch of things, including Margaret Keane. I’ve been doing “big eye” paintings since 2000, but it’s also very anime-inspired. Blythe dolls from Japan are also great reference materials for my paintings.
What appeals to you about the big-eye dolls?
They’re expressing an emotion that isn’t distinct. The viewer makes up the narrative that’s happening in the painting. They bring their creativity and connect it to what I do.
Talk about your process.
(My pieces are made of) collage medium, spray paint, marker… I’ll spray paint random marks on super-thin pieces of paper and draw on them, then lay them on the canvas as an abstract formation. I like the unstable randomness — it takes things in directions you can’t anticipate. I always use this as an underpainting, and I lay down a translucent subject on top. I want it to feel like there’s all this energy that can’t be contained in these subjects — it’s radiating out.
Where can people go to find out more about your work?
My Instagram (instagram.com/thayerfineart/) or Facebook page (facebook.com/kthayerart).
What does the future hold for you?
Doing more commissioned pieces. I would like to eventually have my own studio gallery on Royal Street.
That’s the article! somehow they forgot to mention the solo show at Kawaii Nola 4826 Magazine st. which has a bunch of my dollface work, but hey it’s all good!
This has been one nutty difficult year and I wasn’t sure I was going to make it through, but I did and I’m looking forward to some more painting in 2017! Tons of cool stuff coming up in 2017 so stay tuned! I will be starting an email newsletter starting in January with news, events, what’s new on the easel and deals for collectors. Feel free to email firstname.lastname@example.org indicating your interest to join the newsletter list. Thanks!
I am so psyched to see the cover of the new issue of Xander Magazine! The Art themed fashion magazine is available now in print form & digital. Click on the link for the website and also follow @xandermagazine on Instagram.
Just been painting quite a bit in my studio lately. I post pretty much daily on my instagram @thayer_art. Some of these paintings on watercolor paper are available for sale on my shop link in the menu or click> shop
Click the image to go to my poster page or this LINK to go directly to the shop
Really great pic by Harmon Dash.
So i decided to bring my Bowie tribute painting with me this past Saturday to celebrate the life of David Robert Jones. The Preservation Hall Brass Band with Win & Regine from Arcade Fire posted the event on facebook last week and perhaps ,like often times, maybe half the 4k that said they would attend would actually attend. Turns out estimates of many tens of thousands DID show up, many in costume or wearing makeup or in some way expressing their love for Bowie. My way, as you might guess, is to bring along my Bowie tribute painting. The painting is called Golden Years or for short ” Goldie Bowie” my version of the Aladdin Sane album cover. Please check out my facebook and instagram for more images from this event. Fantastic shot of the parade by Jerry Moran, my painting can be seen in the sea of humanity about a 3rd of the way down in the center.
shot from the local news caught by my bro Tom.